Book Reviews, HerKentucky Reads, HerNashville Heather C. Watson Book Reviews, HerKentucky Reads, HerNashville Heather C. Watson

All We Ever Wanted by Emily Giffin Book Review

Author Emily Giffin explores wealth, lies, and consent in a story of two Nashville families.

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{This book review contains Amazon Affiliate links. I receive a small compensation for books purchased through the links in this post.}

Emily Giffin is an author with whose work I have a complex relationship. I think she's an amazing storyteller and that she has a knack for compelling dialogue and "smart lady soap opera" fiction. I often can't wait to read her books and have them delivered via Amazon Prime on the day of publication. I devour each new book in a day or so. I can't put Ms. Giffin's books down. And yet I often find myself highly conflicted. Something a character says doesn't hit me right, or a plot point seems... not quite right

I preordered Ms. Giffin's latest, All We Ever Wanted, as soon as I learned that it was set in Nashville. Now y'all know that Nashville is my happy place. I travel there as frequently as possible to recharge my creative batteries. I especially love the neighborhoods in the southern/ southwestern end of town; several of the main characters live in this area, in the exclusive Belle Meade neighborhood. I've made many fun trips to the East Nashville area for meals and festivals and events; this neighborhood plays a prominent role in the work as well. So, I kind of braced myself. Ms. Giffin grew up in suburban Illinois, practiced law in NYC and wrote in London before settling in Atlanta with her husband and kids. I always wonder if she has a bit of disdain for the South; the main character in Love the One You're With -- an otherwise highly compelling novel -- seemed to delight in subtly disparaging the South in a way that made me cringe. So, when I picked up a novel set in my favorite city by an author whom I know to be a compelling storyteller, I still had guarded expectations.

Let me just start off by saying that, from a storytelling perspective, All We Ever Wanted is fantastic. The book tells the story of two Nashville families, the Volpes and the Brownings. The wealthy Brownings, Kirk, Nina, and their son Finch, are firmly ensconced in Nashville's elite Belle Meade circles, while single father and carpenter Tom Volpe raises his daughter Lyla in a blue collar East Nashville setting. Finch and Lyla are classmates at a prestigious private school; their worlds are changed forever when a drunken photo of Lyla is posted to Finn's social media. The story is a fast-paced and heart-wrenching story of parental guilt, hidden secrets, and long-ago pain. Nina finds her small-town morals at to be at odds with her husband's desire to protect their son's Princeton admission at any cost, and she begins to address a long-suppressed assault that has impacted her entire adult life. Tom must confront his own class biases and the scars left by his tumultuous relationship with Lyla's mother, an alcoholic who abandoned them when Lyla was a toddler. This story plays out as every mother's nightmare: "How did my little baby become this person?" becomes "Is my child a psychopath?" in fairly short order. The work forces readers to think about the impact of class and privilege, the slippery slope between alcohol use and abuse, and the often-terrifying landscape of sexual consent and assault. It's a timely, nuanced, and tight narrative about the damage we can inflict on others and on ourselves, and it's a fantastic pool read.

And yet -- y'all knew there'd be a yet -- there were problems. Readers, I think I have to confess to y'all that the problem was with me and not with the book. I couldn't get past weird little details like "You send your kids to single sex-high schools like MBA or Harpeth if you live in Nashville" or "Nobody splits a glass of wine at Husk" or "A Methodist cop who's lived his entire life in Bristol would never drive home after drinking even a single beer." I didn't love the broad-sweeping message that you're kind of inherently vapid and materialistic if you live in Belle Meade and that you're in touch with core values if you hail from East Nashville; I've definitely met plenty whofolks who defy each of these stereotypes. And yet, as a writer and a serious reader, I know better than to allow myself to get mired in these little details. I know that if I set a novel anywhere other than the places I've lived -- Lexington, Louisville, Nashville, or the holler -- I couldn't pass this test. If I set a piece of fiction, the author of this work could likely find just as many nitpicking details that I got wrong. Ms. Giffin has been painstaking in her research of the city. So many things seem perfectly right, like pastries from Sweet 16th, which makes the best red velvet cake in East Nashville, or possibly anywhere in the world. Ultimately, she gets more "Luke Bryant popups in the Gulch" and "Buying jeans at Imogene + Willie" stories right than wrong, these little details make me sound like a pedantic malcontent, and the book is the best piece of chick lit that's been published so far in 2018.

I recommend All We Ever Wanted for anyone who loves Big Little Lies, Something Borrowed, or the early seasons of Nashville. Please chime in if you've read the book and have an opinion on the story, or if you've ever found yourself derailed by an author's tiny missteps in regard to locale and local customs! 

 
 
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A Gentleman In Moscow Book Review

Book Review of A Gentleman in Moscow

A Gentleman in Moscow Book Review

(This post contains affiliate links. HerKentucky LLC  may receive a small per-click commission on product links, at no cost to the reader.)

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I recently listened to A Gentleman in Moscow by Amor Towles on Audible. (Click here to download your copy of this audiobook for free!) This book had been on my to-read list for a while, and it turned out to be one of those books that struck my imagination in so many ways! 
 

The story centers around Count Alexander Rostov, a Russian nobleman and bon vivant who, in 1922, is sentenced by a Bolshevik tribunal to spend his remaining days living in Moscow's Metropol hotel; his sentence carries the threat of a firing squad if he leaves the hotel's grounds. I've read interviews in which Mr. Towles notes that he chose Russia of this era because odd "life sentences" were unique to that setting. The Russian setting is, in many ways, immaterial to the plot of the story. The tiny world within the Metropol's walls could be constructed anywhere at any time, as the story's theme of finding gentility and beauty in any circumstance shines through. 

A Gentleman in Moscow tells the story of Count Rustov's adventures and interactions, triumphs and sorrows over the 30+ years he resides at the Metropol. Some reviewers have called the book a bit too twee in its portrayal of post-Revolutionary Russia and, indeed, there are times when it feels like Doctor Zhivago has taken up residence at the Grand Budapest Hotel. Certainly, the novel is framed in the sensibilities of its author, an American investment banker turned writer. The novel's beauty lies less in its historical accuracy or political sensibilities than in its exploration of the idea that Count Rustov built friendships and lived a remarkable life within the walls of his captivity. The world within the Metropol seems as layered and nuanced as any international travel, and even stripped of his title, the Count's character embodies gentility and nobility at every turn. I eagerly await the British TV adaptation of the work, and can't imagine any actor better suited to the Rostov role than Kenneth Branagh.

I'm fairly new to audiobooks; I particularly enjoyed this format for A Gentleman in Moscow for a couple of reasons. First, as with any book set in Russia, the names get tricky, and it's often quite cumbersome to recall diminutive forms. Second, the early chapters of the work are a bit slow, and the narration by Nicholas Guy Smith infuses humor and good nature into the Count and his friends and colleagues as the reader comes to know them all. I find that audiobooks on Audible are great for work car trips as well as while I'm sitting at my desk doing administrative tasks. I pair my phone's Audible app through my car's Bluetooth and through the speaker in my office. Both setups provide a far richer sound quality than if I merely press play on the phone.

If you love epic novels or tales of manners and social class, you'll love A Gentleman in Moscow. Try it on Audible for free and let me know what you think!

 

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January Book Club Part II: The Undertaker's Daughter

HerKentucky.com Book Club

Thanks to everyone who's been reading along with The Undertaker's Daughter by Kate Mayfield! Two weeks ago, we talked about the Kentucky themes in the novel. Today, I thought I'd share the Simon & Schuster Reading Group Questions, to get your opinions on these themes. If you're new to the Book Club, please feel free to refer back to the first post, and we'd love to hear your comments on both sets of questions!

1. In what way does the prologue story of the bridge game set the tone for the book? What themes are foreshadowed here? Discuss specific examples and how they relate to later scenes. 

2. On page 14, Kate contrasts her father’s appearance and comportment with the stereotypical view of “mortician” or “undertaker.” What images do those words conjure up for you? Did Kate’s father live up to your expectations? Why or why not? Can you imagine yourself in that profession? 

3. Discuss Kate’s descriptions of her father’s reverence for death, the dead, and the paraphernalia of death. When did this reverence cross the line to affect his family? In what ways was Frank both selfless and selfish in the sacrifices he made for his business? 

4. On page 24, Kate describes a typical family dinner, at which she was admonished not to talk about death at the table, even as her parents “spoke of nothing else.” How was death a taboo in Kate’s family, even as it permeated all aspects of their lives? What other taboos were there among the Mayfields and in the town of Jubilee? What are Kate’s contributions to these secrets, and how do they later lead her to feel as if she is “two people” (page 249)? Are there any ways in which you similarly lead a secret life? 

5. Kate experiences funerals from evolving vantage points as she grows up, beginning with her secret perch on the stairs, and later as the organist. Describe the things Kate notices most at different points in her life. What details stand out to you from funerals you’ve attended? What is the main reason Kate agrees to fill in as the organist? 

6. Much of what Kate knows about her father’s secrets she learns from family members, friends, and, later, historical records. Why doesn’t Kate simply ask her father these questions? What is the reason Kate eventually learns her father chose his profession? What other events impacted his choice? 

7. Kate had several hiding places while growing up. Describe these getaways. What was the most unusual, and why was that her favorite? Share your own secret getaways as a child and why they were important to you. 

8. Kate describes only one close childhood friend, a girl named Jo who moves in two doors down from the Mayfield funeral home one summer during their early teens. Why are she and Jo are drawn to each other? How is Jo different from other girls in town? What deeper secrets do we later learn Kate and Jo share? Why does Kate feel she is closer to Jo than to her own siblings? 

9. How does the “business of death” (page 43) differ from how we experience death as mourners? How is this underscored by Frank’s description of the different views people have on selecting a casket? How is money sometimes just as much a taboo as death? 

10. Frank spends “thirteen years toing and froing” (page 94) Miss Agnes around town, taking her meals on holidays, and seeking her counsel. What effect does this relationship have on the Mayfield family? Why does Lily Tate agree to their arrangement? How does Miss Agnes help Frank’s business, particularly concerning the Old Clan? Why do you think Miss Agnes chose to develop a special relationship with Kate, out of all the Mayfield children? 

11. Kate weaves stories of the lives and deaths of the townspeople of Jubilee into her memoir. How do these stories contribute to the flow of the book and our understanding of Kate’s experiences with death? Which one evoked the strongest feelings for you? Choose your favorite of these stories and share the reasons why with your group. 

12. The strong reaction to desegregation displayed by adults in her life was incomprehensible to young Kate. Discuss the differences between how blacks and whites in Jubilee lived, died, and grieved. What were the consequences of the intersection of these two worlds? Identify some of the ways that both Frank and Kate cross over this line. 

13. Kate first feels the contrast between the smallness of Jubilee and the “great expanse of America” (page 175) during a family trip to the beach. How does Kate’s desire for the freedom of a larger world manifest? Revisit the afternoon where Kate and Jo discover the musician Charles Mingus (page 209). How does this experience solidify Kate’s idea that she might visit or even live in a place far different from Jubilee? 

14. On page 274, Kate calls the funeral business “the most segregated business in Jubilee and in the whole of the South.” Do you agree with this claim? Why or why not? Identify other social institutions that Kate observes as heavily segregated in Jubilee during her time there. 
 

February's book club selection will be Whiskey Women by Fred Minnick!

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January Book Club, Part I: The Undertaker's Daughter and Kentucky

Welcome to the HerKentucky Book Club!

January's book is The Undertaker's Daughter by Kate Mayfield. Oh my goodness, did I love this book! It's so quirky, and so quintessentially Kentuckian!

This is such a fun and fascinating book, and I did feel that, even though it could be enjoyed by a very wide audience, there are aspects of the book that are perhaps best appreciated by those of us who've grown up here in the Bluegrass State. So, the format for Book Club this month will be two posts: this week, we'll focus on the Kentucky connections to The Undertaker's Daughter; in two weeks (Thursday the 28th), we'll focus on more thematic, traditional book club questions. Please feel free to comment below, and encourage your friends to pick up with us for the month's second post!

Here are the thoughts and questions that arose for me as I read the book. I'd love to hear your perspective on any of these themes, as well as any discussion you'd like to start! Feel free to discuss in the comments section below this post!!
1. I absolutely loved this passage from Chapter 2: "There were no Appalachian Mountains in this town, nor coal miners, hillbillies, or holler dwellers. Neither were there white fences bordering exclusive horse farms, nor tony Derby breakfasts. It was just a sleepy, little tobacco town..." Did you, as a reader, feel that this description set you in mind of a very specific corner of Kentucky? 

2. The story is set in the fictitious Jubilee, in Beacon County, near Lanesboro, yet it isn't all that hard to figure out which Southern and Western Kentucky towns the author is actually referencing. Did you find that this slight fictionalization within the memoir was distracting? Were you googling to see where Mrs. Agnes Davis and the Bibb House Museum were actually located?

3. The Undertaker's Daughter is set in a truly bygone era. I found myself thinking of Southern novels like The Divine Secrets of the Ya-Ya Sisterhood and The Help in everything from the Jubilee townspeople's views on race to the ladies' devotion to hairspray and proper bridge party food. Lily Tate and her friends' views on Northerners and Catholics felt exclusionary, while the townspeople's views of African-Americans were outright racist. Do you feel like this is an accurate depiction of the attitudes in small Kentucky towns in the 1960s? Do you think things have changed in the past 50 years or so?

4. The depiction of small-town Kentucky life in The Undertaker's Daughter was realistic felt very believable that everyone in Jubilee knew each other's business and the middle class folks gossiped about the Country Club set. Because of this, I often found myself (also a small-town Kentucky girl) gasping when the narrator told her family's secrets. As a writer, I often have that reaction to memoirs that air the writer's dirty laundry, like the works of Pat Conroy. Did you find the small-town setting made the author's revelations of family mental illness, substance abuse, and infidelity more shocking?

5. There's a great line early in The Undertaker's Daughter where the narrator vows that she will not become one of Beacon County's widows. Time and again, she references getting out of Jubilee and making a life for herself elsewhere. Could you relate to young Kate's desire to flee small-town Kentucky and see the world? Were you surprised to learn that she now lives in England?
 

I can't wait to hear what y'all have to say about these questions, or any other thoughts and ideas you may have about the book!

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Banned Books Week: Uncle Tom's Cabin

This week is Banned Books Week, a celebration of Americans' access to books that have been deemed controversial, unacceptable, or otherwise restricted or censored.

Our beloved Bluegrass State has the dubious honor of being the setting for the first section of  one of the most controversial and frequently banned books in the history of  American literature. Uncle Tom's Cabin, written in 1852 by a Connecticut native and abolitionist named Harriet Beecher Stowe, the book was a response to the passage of the Fugitive Slave Act, which required the return of runaway slaves to their masters.

Uncle Tom's Cabin would go on to be the second-best-selling book of the 19th century (second only to the Bible), but it did not receive universal praise. At the time of its publication, many slave owners and Southern sympathizers felt that the harsh depictions of slavery found in the book were unfair, while abolitionists considered the work a catalyst for social change. In fact, when President Abraham Lincoln met Mrs. Stowe, he said: “so this is the little lady who made this big war.”

In recent years, the novel has come under fire for use of racial epithets and for the reduction of African-American characters to tropes. However, the role that Mrs. Stowe's novel played in heightening awareness of the conditions of slavery cannot be underestimated.

This week, HerKentucky urges you to read a banned book and to remember the crucial power of controversy in the written word.

 

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The Bourbon Kings

JR Ward's The Bourbon Kings sets unapologetic melodrama in the heart of the Derby City.

Welcome to J.R. Ward's Kentucky, where the bourbon is served up with a side of crazy sauce.

In Ms. Ward's Dallas Louisville Kentucky, the Ewing Baldwine family reigns supreme. At the Baldwines' Easterly estate, you'l find a scheming daddy, a catatonic mama, a vampy sister, two prodigal brothers, and the requisite girl from the wrong side of the tracks. You'll go to Easterly in search of J.R. and Bobby's gilded South Fork and find yourself, instead, firmly ensconced in John Ross and Christopher's cheap and glitzy incarnation of the Ewing family estate.

Ms. Ward, a self-professed "Yankee who now lives in the South"and alumna of Smith College and Albany Law School, did what all women who marry Louisville natives eventually do: she moved to Louisville. The corporate attorney-turned romance novelist usually pens novels with a paranormal edge, but has embarked on a new series set in a slightly fictionalized version of The Bluegrass State. The city of Charlemont serves as a stand-in for Louisville, where the University of Charlemont Eagles basketball team (whose team color is red) are in-state rivals with Kentucky University (blue, natch). Charlemont's spaghetti junction leads you down river road to the Easterly Estate, while Spirehill Downs is the home of the Charlemont Derby. We all know what she means.

JR Ward. Image via the Courier-Journal.

I reckon the Baldwines live somewhere around here.

When we meet the titular Bourbon Kings, the three Baldwine sons and their cartoonishly evil daddy, there's plenty of drama. Brother Max's whereabouts are unknown; I'm sure he'll get a Gary Ewing-style spinoff book of his own down the road. Meanwhile, eldest brother Edward has let the family business slip into quite a mess. He suffered horrible injuries after a South American kidnapping, as you do. Now, he spends his days training thoroughbreds, drowning in booze and self-pity, and employing call girls who resemble the love of his life, the scion of a rival bourbon house. THESE THINGS HAPPEN, y'all.

Younger sister Gin -- that's right, a "gin" in a House of Bourbon -- is Lucy Ewing meets Connie Corleone in Valentino RockStud Pumps. Only, kind of more vapid and self-sabatoging. There's a never-ending supply of wealthy litigators to serve Gin's appetites, but she pines for the father of her secret daughter. On behalf of every one of my single girlfriends here in the Derby City, I've got to say that Charlemont trumps the real Louisville in the availability of eligible gentlemen alone. A girl can find herself two or three dashing dates for the Derby in a moment's notice, complete with seersucker suits and vintage Jaguars. 

As for the business end of it all, who even heard of independent operators handling operating expenses in the 21st Century? If the family label is suffering, you sell to a multinational corporation and retain a Presidency role for one of your offspring. Ol' JR Ewing taught us that trick in 1987 with his Cartel buddies.And why would your risk your personal fortune on the family company? Maybe Evil Daddy Baldwine is getting a bad rap: he might not be as evil as he is just plain dumb. He should've paid less attention to decking himself out in University of Charlemont red and a little more time listening to his business professors.

But, the real story of The Bourbon Kings is the Upstairs, Downstairs romance between Bourbon King Lane Baldwine and Easterly's horticulturalist, Lizzie King, who characterizes their love as "Sabrina without the happy ending, darlin'." Lane's a playboy with a heart of gold -- he leaves New York City for his old Kentucky home when he hears that the family's African-American cook, whom he considers his "real mother", is in failing health. Lizzie's just folks, and she's got a farm across the river in Indiana to prove it. She keeps Graeter's ice cream in her freezer; lax copyediting keeps shifting whether that Graeter's was Peach or Candy Cane, but every real Graeter's fan knows that it would make no sense to have either of these seasonal flavors around at Derby Time. One would be 10 months out of season, and the other 5. But, that isn't as important as Lane and Lizzie's forbidden love, which peels the paint off the walls -- or at least destroys a priceless family painting in Lane's boudoir. You get the picture. Oh, and there's the pesky matter of Lane's spoiled, Virginia-bred wife (and possibly his evil daddy's mistress) to complicate things further. Y'all keeping up so far?

All the elements of a good soap opera are there in The Bourbon Kings -- gorgeous, rich bad boys with hearts of gold, forbidden love, family intrigue -- and it would be easy to dismiss Ms. Ward's Kentucky as a fantasy world of privilege, lust, and Southern stereotypes. But, there's just one small problem with that analysis: the story kind of works. As a reader, you root for these two crazy kids to bridge the gap across the Ohio River and fall into one another's arms. You cross your fingers that Sad Ol' Edward will find a way to leave his madams behind and find love with rival bourbon heiress Sutton Smythe. You hope that Gin will take a stiff drink of espresso or sparkling water and get her life together.

NBC has purchased a television project based on The Bourbon Kings, and additional novels in the series are expected. I, for one, couldn't be more excited. Ms. Ward's manuscript comes out and describes Lane as a "Channing Tatum lookalike", so the Eye Candy quotient promises to be high. (BTW, Endemol Shine Studios, if you're looking for a sassy Kentucky native lady blogger to add some local color to the writer's room, I'd love to talk to y'all!) I love a good soap opera, and I hope that this one plays out as self-aware and campy, on the grand scale of 80s dramas like Dallas or Dynasty. It would be nice to see bourbon in primetime, even with a crazy sauce chaser.

 

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A Conversation with Irrepressible Author Emily Bingham

HerKentucky editor Heather C. Watson interviews Louisville native author and historian Emily Bingham.

You may remember that Irrepressible: The Jazz Age Life of Henrietta Bingham was at the top of HerKentucky's list of the summer's must-read books. The story of a charismatic Jazz Age debutante who scandalized Louisville society by kissing girls at the city's most exclusive clubs while charming London's elite Bloomsbury intellectual set , Irrepressible reads like a tightly constructed novel, deftly weaving through continents and eras to tell a lovely and ultimately tragic story.

The second child and only daughter of Louisville politician, judge, and publishing magnate Robert Worth Bingham, Henrietta was born in 1901 into a Kentucky of thoroughbreds, cotillions, and country clubs. Her Louisville was a world most of us have only experienced in myth -- her grandmother Henrietta Long Miller owned an imposing mansion in Old Louisville and an equally impressive summer home in Peewee Valley -- but which was often too rigid for her tastes. Upon graduation from Louisville Collegiate School, Henrietta sought refuge first at Smith College (where she began an affair with magnetic young composition professor and heiress Mina Kirstein, whose family co-founded Filene's Department Stores), then abroad, where her gracious disposition and violet eyes captivated the free-spirited intellectuals of the Bloomsbury group. Among her confidantes and lovers were Wimbledon champion Helen Hull Jacobs and actor John Houseman; her complex and co-dependent relationship with her larger-than-life father cast a decidedly Southern Gothic shadow over her life of privilege.

Henrietta Bingham (image via The Daily Beast)

Ultimately, the societal norms of Henrietta's era -- it's heartbreaking to remember that, less than a century ago, gay Americans were forced into the closet by the imminent threat of criminal charges and physical violence -- along with a lifelong history of mental health and substance abuse issues ultimately dulled Henrietta's flame. The outré flapper and muse became known as a sad and embarrassing branch of the Bingham family tree. When Henrietta's great-niece, the writer and historian Emily Bingham, announced her plans to name her daughter for this relative whom she'd never known, the story goes, her family blanched. Henrietta's name was considered an unwelcome burden to saddle upon a new generation of Binghams, so Emily started reconstructing her great-aunt's story. In a twist so fortuitous that it seems torn from the pages of a Hollywood script, Emily Bingham found two perfectly preserved trunks in the attic of her family's estate. Henrietta's story unfolded through the trunks' contents -- a glamorous story of love, heartbreak, and adventure. Emily graciously answered some questions about Irrepressible for HerKentucky readers. 

Henrietta's partner, Helen Hull Jacobs

HK:  What was going through your mind when you discovered Henrietta’s trunk of memories? 

EB: That day in 2009 was probably one of the greatest experiences I'll ever have as a historian.  I went to that attic in my childhood home very reluctantly. I had peeked into the trunk some time before and seen a lot of very old shoes, hats, that sort of thing, and it was pure duty to spend hours on a frigid January day in the uninsulated space full of soot and lit by a single dangling bulb. The house itself was empty and did not contain my happiest childhood memories (though I did love exploring the vast attic where servants had once lived and where my father and his siblings had a lot of toys and books and old saddles stored). 

The first amazing find was a massive silver flask with Henrietta's initials. It holds about two fifths of bourbon. Nothing like the discreet flapper flasks you might imagine.

Then I came across the tennis outfit that turned out to have belonged to Helen Hull Jacobs, the 1930s lesbian tennis champion. Her monogrammed shirt suggested a more intimate relationship than I knew had existed between her and my great aunt, and the clothes, which I sent to the Tennis Hall of Fame in Newport, RI led me to her diaries and scrapbooks and the "joyous and satisfying life" she shared with Henrietta in the 30s and 40s. 

There were some little tiny folded papers containing white powder. I thought I'd come across some illicit drug but on closer inspection they proved to be "dog powders" for Henrietta's beloved border terriers and Pekingese!

And then, as I was about to leave for the day to relieve my babysitter, I saw that another trunk was hidden in the shadows in a corner of the garret room. At the very bottom is where I found the carefully tied up and almost perfectly-preserved collection of love letters from the sculptor Stephen Tomlin and the actor/producer John Houseman. Seeing Henrietta through their besotted eyes was one of the utter thrills of my experience with this book.
 

Young Henrietta. Image via The Daily Beast.

HK: Was there ever a time when you thought of turning back and keeping Henrietta’s story in the past?

EB: Absolutely. My editor didn't think the book was even possible given that I had no diaries and almost no letters from Henrietta herself. So it was almost DOA. But I pushed past that with some of the discoveries in the attic and elsewhere. There was a point when her depression and addiction melded with a sad and confusing time in my life and I wondered if the project might not make me ill. 

Henrietta Bingham (image via Courier-Journal)

HK: I’m a Jazz Age buff, and a Kentucky native, so as I read, I was thinking both of the timeline of some of my favorite authors and historical figures (thinking, e.g., “OK, Scott and Zelda would have been here, or Gerald and Sara Murphy would have been here”) and of a very local timeline (saying things like “the Miller house was a block down from the Woman’s Club” or “of course they all thought Henrietta was a gracious hostess; she was a Louisville girl!”) It almost felt like Henrietta lived two completely separate lives –freedom in London and duty in Louisville. When you were working on the book, how did you feel that place played into Henrietta’s story?

EB: Henrietta felt very connected to her Kentucky and southern roots. There is a remarkable passage in the pages John Houseman cut from his memoir: see page 180-181. He was drawn in by the romance of Kentucky but later he came to see things in a more nuanced way. Here's a bit more of it: "I discovered that Louisville was, in reality, a typical middle-Western American city, indistinguishable from Indianapolis or Cincinnati, and that its main claim to national fame -- Churchill Downs, scene of the Kentucky Derby -- was ringed with factories and power plants that made it, without question, one of the most squalid hippodromes in the United States. Yet, for close to a century, from Foster to Fitzgerald, the legend of Louisville's romantic fascination had persisted--and not without reason. For in its own mysterious way the spell worked -- not only on public occasions such as the long Derby weekend, when the entire population, swollen by streams of visitors, lived in a state of collective alcoholic hallucination, but also, in a more intimate way, each time the natives came together and succeeded, through sheer emotional energy, in generating and sustaining an atmosphere of glamour and gaity that was no less magical for being achieved almost entirely with Bourbon and mirrors."

Henrietta loved her Miller grandmother. She also loved having a mansion to throw parties in. She dared to make passes at girls at the Louisville Country Club and kiss her lover in the elevator at the Pendennis. She went sledding in Cherokee Park and was pushed in a stroller in Central Park in Old Louisville. I was stunned when I figured out that for at least a year she and her father and elder brother occupied an apartment 5 doors away from me on Cherokee Road! London and Manhattan were much freer places for her, for sure, but I think she always wanted to come back and her thoroughbred breeding farm at Harmony Landing was the way she hoped to find her way in -- brave as a woman, a lesbian, and someone without direct experience in bloodstock (though her great uncle Dennis Long had two Derby winners in her childhood and that may have set her ambitions early).

Emily Bingham. Image via author's website.

HK:  You do an amazing job of, as you say in the preface, not presuming to speak for Henrietta. Yet, you’re very fair with your assessments of her mental health and her likely dyslexia. Was this a hard line to walk?

It's always hard to walk the line between empathizing with your subject and wanting to protect them and being frank about their weaknesses and shortcomings. I believe that readers don't just want "models" and can appreciate lives that are as complicated and imperfect as their own. 

HK: If you had the chance to talk to Henrietta, what would you say to her?

EB: Sing for me. Play the sax. Tell me the stories of the musicians you loved and who, doubtless, found you pretty interesting, too. What was your favorite bar, show, concert, player? Where did you feel most free? Who did you really love? Finally, "You are in the world again and people still find you lovable and irresistible and are so glad not to have lost you altogether."

Thanks so much to Emily for the amazing interview, and for writing the summer's best book. Check back later this week as HerKentucky takes you on a photo tour of Henrietta's Louisville.

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